Time is relative as Tobit relates in Tobit and the Hoodoo Man,
“I recall the night mother returned from the master’s house and explained to me that I was born in ‘eighteen-twenty-five.’ That knowledge meant nothing to me at the time. As an old man, I learned that ‘1825’ was a year, and that a year was a measurement of time, the time it takes for the earth to travel around the sun. That really confused me, because I thought the sun moved around the earth. I saw it happen every day. However long that passage takes – regardless of which body moves about which – I know that time is relative. A long time to one man may be a short time to another. A year is a long time for a man in bondage, but the blink of an eye to the man who enslaves him.”
As books and creativity go, I liken myself to the man in bondage. Three years seems like a long time in the creative world. Three years ago, I was one of the lucky ones: two of my books, The Olympian and The Sixth Day each carried film options. That is an exciting prospect. Since then, despite the intense efforts of the producer, The Olympian is no longer on the table and under consideration. That’s too bad because I was hoping against hope to see Sean Connery or Anthony Hopkins play the role of the poet Simonides who narrates the tale.
During these three years, I’ve learned much about the film industry. As Ringo Starr told us in 1971, “You know it don’t come easy.” The Sixth Day was in the hands of Hoplite Entertainment, but in recent months, Hoplite shifted its emphasis from feature film to reality TV. The Sixth Day – with a working film title of “Third Man” – was no longer a part of their vision. I can accept that.
On the positive side, no sooner had Hoplite orphaned the project than a new film company expressed interest in the story. As of early February, the film prospects of The Sixth Day are in the hands of Bumpercrop Films under the watchful eyes of Alistair McKenzie and Jasmine Fontes who penned the “Third Man” screenplay for the original project and produced The Sixth Day audiobook.
If two out of three wasn’t bad for Meatloaf, I can tell you that one out of two ain’t bad for E.S. Kraay. Will The Sixth Day ever make it to the screen? Don’t know. Though tempted in a cavalier way to say, “Don’t care,” I will admit that I would like to see it happen. In its current version, Alistair and Jasmine’s screenplay reflects the powerful message from the book: there is strength in faith. It is a message that needs broader exposure, and a film would help in that regard.
I am grateful that the project is still alive and hopeful that something may come of it. I will keep you informed.